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Bastien und Bastienne is possibly the easiest to perform of Mozart’s juvenile works. Sir John Pritchard Wiener Symphoniker. Colas opens his book of spells and recites a nonsense aria filled with random syllables and Latin quotations.
Bastienne, however, decides to keep up the game a bit longer and spurns Bastien with great vehemence. Colas joins them as they all sing a final trio in praise of the magician.
His advice is to act coldly towards Bastien, which will make him come running back. It was allegedly commissioned by Viennese physician and ‘magnetist’ Dr. After its supposed premiere in Mesmer’s garden theater that is only corroborated by an unverified account of Nissenit was not revived again until Archived from the original on 14 October Bastien threatens suicide, which Bastienne merely shrugs off.
Bastienne, a shepherdess, fears that her “dearest friend”, Bastien, has forsaken her for another pretty face, and decides to go into the pasture to be comforted by her flock of lambs. Finally, the two decide that they have gone far enough and agree to reconcile. Colas declares the spell a success and that Bastienne is in love with Bastien once more. Bastien und Bastienne was one of Mozart’s baetian operas, written in when he was only twelve years old.
The opening theme of Mozart’s overture resembles that of the first movement basiana Beethoven’s Symphony no. This page was last edited on 30 Augustat Mozart in popular culture Beethoven-Haydn-Mozart Memorial. In other projects Wikimedia Commons. Many of the melodies are French in manner, but Bastienne’s first aria is true German lied.
Bastien und Bastienne – Wikipedia
From Wikipedia, the free encyclopedia. Retrieved 12 September Bastien und Bastienne one-act singspiel by W. Views Read Edit View history.
Bastien is shocked and asks the magician for help. In any case, opening a movement with an arpeggio of the tonic chord was an extremely common occurrence in the Classical period. The resemblance is likely coincidental. Another purely German lied is Bastienne’s aria “I feel certain of his heart”. It is unlikely that Beethoven was familiar with Mozart’s youthful opera. Before she can leave, however, she runs into Colas, the village soothsayer. Bastienne requests the help of his magical powers to help win back her Bastien.
Bastien und Bastienne, K.50/46b (Mozart, Wolfgang Amadeus)
The opera is written in both French and German manners. Uwe Christian Harrer Wiener Symphoniker.
Bastien und Bastienne Bastien and BastienneK. Eberhard Schoener Bayerisches Staatsorchester. Bastien swaggers in, proclaiming how much he loves Bastienne. Edouard Lindenberg Wiener Kammerorchester.
Leopold Hager Mozarteum Orchester Salzburg. Operas by Wolfgang Amadeus Mozart. It is not clear whether this piece was performed in Mozart’s lifetime. The first known performance was on 2 October at Architektenhaus in Berlin. Retrieved June 21, Colas being a soothsayer knows all about the problem, and comforts her with the bastuana that Bastien has not abandoned her, rather, he’s merely been distracted lately by ‘the lady of the manor’.
Colas informs him that Bastienne has a new lover.